As many of you know, the Spiritwalker Trilogy is complete, together with two coda stories: The Secret Journal of Beatrice Hassi Barahal (with the most awesome illustrations by Hugo-nominated artist Julie Dillon) and The Courtship (told from the point of view of Andevai). I have a few more Spiritwalker short stories in progress, including one that involves . . . babies (for those of you that like that kind of thing). Again, thanks to all of you who have so enthusiastically read Cat’s story (and to those who read it and were more lukewarm; honestly, I appreciate people reading my books however it goes.)
For my two latest projects I have been working on a YA fantasy (which will be published as a YA and not in the adult sff field) and a new epic fantasy (first of a series).
COURT OF FIVES is now the more official title of the YA fantasy formerly known as MASK (not yet fully confirmed but I think this is going to be it). It is fully revised and in production for a Summer 2015 publication date (the wheels of production grind slowly in YA publishing; they like lots of lead time to promote their titles).
This is the “Little Women meet the Count of Monte Cristo in a fantasy world loosely inspired by Greco-Roman Egypt” story that I’ve mentioned before. I wanted to write an epic fantasy that centered around girls, and telling it through the story of four sisters struck me as absolutely the way to go. In my dry, laconic way I am TOTALLY EXCITED about this book. It is definitely the fastest paced and most streamlined thing I have ever written, without losing the details and (I hope) complexity that I love.
(A younger) Hideo Muraoka would be pretty close to my head canon for the love interest:
Meanwhile, I have turned in a draft of THE BLACK WOLVES to Orbit Books. This is the first volume of an epic fantasy series and, again, I wanted to center a story around women (3 of the 5 point of view characters are women and their points of view get about 75% of the page time in this volume). Having said that, I should note that I believe all the characters are great and (I hope) varied.
Here is the current description:
SOME CHOICES CAN NEVER BE UNDONE.
He lost his honor long ago.
Captain Kellas was lauded as the king’s most faithful servant until the day he failed in his duty. Dismissed from service, his elite regiment disbanded, he left the royal palace and took up another life.
Now a battle brews within the palace that threatens to reveal deadly secrets and spill over into open war. The king needs a loyal soldier to protect him.
Can a disgraced man ever be trusted?
I know, I know, it seems like it’s all about a dude, but trust me on this. Not that I have anything against dudes! I am sure that 50% of the characters in this book are men and I love each and every one of them. Especially Captain Kellas.
THE BLACK WOLVES is also currently scheduled for 2015.
Finally, I have a forthcoming collection of short fiction (and four essays) coming out with Tachyon Publications, to be titled THE VERY BEST OF KATE ELLIOTT. (Truth in advertising: it is actually “all the short fiction Kate Elliott has written in her career so far except for a couple of Spiritwalker-related stories and with the addition of two new novelettes to sweeten the deal”).
Much more on that later.
All very excellent news!
Glad to hear that so much is on the way! I just finished Labyrinth Gate (through the wonder of ebooks) and I think I’ve now read –and loved– every novel you’ve written. I can’t wait to get my hands on more.
Reading Labyrinth Gate so soon after the Spiritwalker books was a fun treat. Early on I thought to myself “If she wrote this today, I bet it would be a trilogy,” and very soon after that I started seeing the parallels to Cat’s story. They’re definitely two different stories with very different POVs, and set in very different worlds, but the similarities added a bit of a treasure hunt to the reading experience.
I needed to come back to thinking about how revolution percolates through a society in a period of great social change and upheaval. Which I guess is a persistent theme in my work.
Thank you so much for reading, Alan.