Most Fridays in 2017 I hope to post a brief mention of the latest chapter(s) I’ve read in my 2017 classics read: The Water Margin (Outlaws of the Marsh) by Shi Naian, translation by J.H. Jackson and with an introduction by Edwin Lowe (Tuttle Publishing, 2010). I will use each chapter’s own synopsis as the synopsis.
Today: Foreword and Prologue
The brief Foreword, ostensibly by Shi Naian (but perhaps by the redactor, Jin Shengtan), introduces the author’s quiet life, briefly mentions some details of his household, and explains why he wrote the novel.
Why would anyone living such a quiet, isolated life need TEN messenger boys? I imagine them as local village boys who come and go, not all there at once, but always several convenient for running messages on command. And that’s besides the brooms and mats they make.
Prologue: Heavenly Teacher Zhang Prays for Cessation of a Pestilence; Marshal Hon Makes a Blunder in Releasing Demons.
Probably the main reason it’s taken me so long to dive into these Chinese classics (I only read Dream of the Red Chamber about 6 years ago) is the bizarre and unfounded belief I had that, being classics, they were inevitably turgid affairs as long-winded as your average Victorian novel, something one read to be well read rather than because they were enjoyable. Where did my preconceptions come from, I wonder?
In fact, The Water Margin is paced like a modern novel (I can’t judge how much that may be a factor of the translation, which was itself done in 1937 (and “rejuvenated” in 2009)). Your average 1990s fantasy novel is less fast-paced than this with its brief introduction to the later emperors of the Song dynasty and then the adventures of Marshal Hong, which are completely delightful. Marshal Hong does not strike me as sincere or adequate to the task. Besides being responsible for the release of the demons he conceals the foolish, arrogant deed from the Emperor.
As with Dream of the Red Chamber I can see I will learn a lot from this work about the effective use of cliff-hanging chapter endings. In fact, I have already almost finished Chapter One, and I’ll briefly discuss it in the January 13 post.
Next Friday (Jan 13, 2017): Chapter One.
New to the readalong? Check out the introduction the Water Margin project.
My copy hasn’t arrived yet, boo, so I will have some catch up to do when it arrives.
Completely agree re Hong. How many people had to tell him, in detail with excellent supporting evidence, how silly his requests were and HE STILL DID NOT LISTEN. And now, DEMONS! Absolutely loved the message saying he would open it. Those demons very cleverly did not precede the message with “Because he is arrogant and unwise…”
I think it becomes more apparent in Chapter 1 which I’m now almost through but the arrangement of backstories is not what I’m used to. But, as you’ve already said, it feels very modern in its style (or are moderns novels just more of the same? ;-)) and part of that, for me, is backstory. I’ll be curious to see if that continues. I find in modern novels that the way in which backstory is handled tells me a lot up front about what roles I can expect a character to play in the story. I would assume this will be a completely different ball game in that regard.
But in the meanwhile! Demons!!
Finally got to read it. That intro with Marshal Hong…kinda reminds me of the Shahnameh, doesn’t it?
Hi, I’ve been wondering, very occasionally, for 20 years: what’s the source of Heirakis’s defiant ‘We recommend that you fight’ speech, in the Lily Ransom series? He’s so clearly quoting something.
With some embarrassment I have to ask if you can give me a volume and chapter number for that, and I’ll check. I am sure it is a quote, but I don’t recall the context at the moment. I wrote that trilogy a LONG LONG time ago.
OKAY — for those TWO OF YOU following the Water Margin readalong — I’m aiming to start monthly posts.
My goal is a March 15 post that covers chapters 1 – 8.
I’m finding them to be very fast reads because this is basically ACTION ACTION ACTION and various twists.
It’s late in the first book, when Hierakis has his “confession” broadcast from prison. He was arrested, and claimed to be Pero. It ends with him being shot (off screen.) Lily leaves planet shortly after on the tramp ship, taking Pinto. I haven’t read it in years, and don’t know where my copy is just now.
Got it. Thanks.
It’s a quote from Berthold Brecht’s play Saint Joan of the Stockyards