Penultimate Update on The Secret Journal Of Beatrice Hassi Barahal (maybe)

The Secret Journal of Beatrice Hassi Barahal

Words by Kate Elliott

Illustrations by Julie Dillon

spiritwalker_sketch_1_bee1

The layout and design is basically complete and proofed. The printer is out of town next week but a proof will be run the week after next and then a printing. Our hope is that the perfect bound (not stapled) 36 page 6×9 chapbook will be available in mid to late August.

At the time it is available I will post here and everywhere and direct you all to an order page (the distributor is Crab Tank). Domestic US and International orders will be taken.

The print version will cost $7.00 US ( + postage).

An e-version will come out soon after. A price of $3.99 has been bandied about and I think that is likely to hold.

Update: “The Secret Journal of Beatrice Hassi Barahal”

I wanted to post another illustration but WordPress isn’t letting me upload anything here and I don’t at the moment have time to figure out why.

SO:

The Secret Journal of Beatrice Hassi Barahal is in production.

The 29 black and white illustrations by Julie Dillon are in and they are FABULOUS.

The layout has turned out to be more complicated than expected which is why there is a delay, but it is getting closer to being complete, after which the material will be proofed and then taken to press.

I do not yet have a link to an order page (we’re doing this all ourselves so my apologies) but I will link to it here as soon as I do.

I’m hoping that publication will be in August 2013.

 

The Secret Journal of Beatrice Hassi Barahal

Words by Kate Elliott

Illustrations by Julie Dillion

Layout and cover design by Joseph Eichstaedt

Editing by Rhiannon Rasmussen-Silverstein

Printing by ColorHausPDX

Distributed by Crab Tank Press
First Edition, 2013

 

How do cold mages cook? (Q&A)

 

 

garputhefork asked: I can’t remember if this was addressed in book 1 (and I’ve been hoarding book 2 until the last book was released), but how the hell do cold mages cook anything? (Not that one would actually lower him/herself to take a turn in a kitchen…)

Thank you for the excellent question!

The kitchens of mage Houses are separate from the main part of the house where the cold mages live. House members who aren’t mages may work/live in areas heated directly by fireplaces and stoves, and they would certainly be assisted by servants (who would like do the scullery work, etc). These separate buildings are where the cooking is done (then transferred to the main house eating hall for meals). The hypocaust systems warm the main house (with the furnace sourced far enough away from the cold mages that their magic won’t put it out). Also, cold mages feel the cold less than non-mage people do, so they don’t need it quite as warm as you or I might.

This is addressed tangentially in book one and directly in book three.

Also, regarding cooking: I postulate that, based on my reading of cultural aspects, cooking is almost exclusively done by women and is a highly respected skill. A woman born into the House who has no mage ability but who is a good cook and a good “house administrator” (remember the mage Houses might have anywhere from 50 – 300+  members) would be respected and valued within the mage House and could attain additional status through her cooking and administration efforts. Again this is touched on tangentially in book three, and in book two as well (although in book two it’s not within the context of a mage House).

 

NOTE: When I held the Cold Steel Giveaway, I received many many questions, here on this WordPress site, on Livejournal, on Tumblr, and a few on goodreads. Over the next two months I’ll be answering the questions one or several (related ones) at a time, under the tag #Q&A

This question came from Tumblr and was originally answered there.

Discussion Spoiler Thread: Cold Steel & Spiritwalker Trilogy

Books are in people’s hands already so time to open up a thread for discussion of Cold Steel and the trilogy as a whole.

If you want to make a comment, ask a question, discuss where I can hear and join in or where you know you’ll be able to talk to other people who have read the books: This is the place.

If you prefer to talk where I can’t listen in, this is not the place (and there are plenty of great places to do that, too!)(I also totally get the desire/need to talk about a book where the author can’t hear).

There will be spoilers for the entire trilogy.

 

A quick reminder of appearances, listed in full in this post:

University Bookstore Seattle WA 7 pm Monday July 8

Powells-Cedar Hills Crossing Portland OR 7 pm Tuesday July 9.

 

I won’t be online much for the next few weeks but I will check this blog every day–and you may find me on Twitter (KateElliottSFF) and occasionally FB (Kate Elliott).

Writing a woman who eats what she wants without being shamed (Spiritwalker Monday 2)

The fourth giveaway winner is bee-ww-oh-bee. She asked:

Why did you choose to elaborate on Cat’s love of food? I thought it was interesting that we have a heroine who actually appreciates food. Was this in response to societies view on female bodies or did you just write it as part of her character?

 

Have a story: Continue reading

Cat & Bee’s love; writing what’s already been written; back to SF? (Spiritwalker Monday 3)

It’s June.

COLD STEEL comes out this month!

FINALLY.

RT Book Reviews has given it a Top Pick (4.5 stars) review in RT Book Reviews: “the conclusion is delicious.”

Here’s your weekly reminder that I’ll be doing events in San Francisco (June 27), San Diego (June 29), New York City (July 2), Seattle (July 8), and Portland (July 9).

The COLD STEEL giveaway is over (winners picked by random number generator), and now I have to start answering the amazing questions people asked.

I’m starting with three questions from winners Rima, Elodie (needs an accent mark above the first E), and Eve. No spoilers involved.

 

Rima Z asked:

My question is: where did your initial idea to make the primary focus of the novel about the relationship between Cat and Bea come from? Most people are either ‘plot driven’ or ‘character driven’, but I find that you have a really excellent mix of both, which means that at points the plot is independent of relationships (in particular, Vei and Cat), but still finds ways to bring together the importance of most of all the characters introduced.

 

Answer:

Thank you for your kind words. I do try to balance plot and character (and setting) because that is what I love best to read. A central concern for me as a writer is in how people’s relationships inform and influence the choices they make. I always try to take into consideration and to develop who people are and where they come from in terms of how they fit into a family structure, a lineage, a society.

The story of Cold Magic came to me originally as an image of two young women in an 18th/19th century style setting who are sitting together in a classroom and looking out over a courtyard as a carriage drives into the courtyard with a mysterious visitor. In that image I knew already that the two girls were sisters (or cousins) who loved each other deeply and whose central relationship was with each other. From initial conception through final volume, the steadfast love Cat and Bee have for each other has always been the emotional core of the Spiritwalker books.

As well, I was eager to write a book in which female friendship/sisterly love was central, not secondary. I love books that treasure and foreground this kind of relationship and I’m always excited to read (and write) more of it.

 

Elodie asked:

Did you ever feel like a story you were writing (or parts of it) had already been written before by someone else, but without knowing if it was true or just a feeling (or which book it could come from )? If yes, how did you react?

Answer:

I think that everything we read and experience gets churned into the clay out of which we shape our stories (or art or music or however we express our creative selves). Story doesn’t spring fully formed from the head of Zeus. It’s all linked up and bound in to everything else.

So if I write a love story I know that I am writing a story that in some ways may be like all other love stories or that may be influenced by specific love stories I have read, but I also know that my unique take on the story and characters I tell is something only I can bring to it. In terms of creating it’s worth remembering (in my opinion) that as a creator you are unique. No one else can bring the perspective you bring even to a story type that seems to have been told a thousand times before.

In a specific sense: Have I ever thought I was inadvertently paraphrasing or rewriting an actual book I had read, and yet wasn’t fully aware of what I was doing?

When I was young and learning how to write I at times modeled what I was writing on things I had read. It’s not quite full-blown imitation; I think it’s a normal part of the learning process in writing. [aka “I loved Lord of the Rings so I’m going to write a world with noble elves in it . . . and then there will be a handsome elf lord who falls in love with a human girl . . . ” No, I did not start writing that story when i was 16, what could you possibly be thinking?]

I continue to be influenced by what I read in ways I can’t always consciously process. So I do occasionally have to stop and look very carefully at something I’ve written.

 

 

Eve N asked:

Early in your career, you wrote SF; your later work (to the best of my knowledge!) is all fantasy. Do you envision going back to SF at some point?

 

Answer: I would love to write SF again and hope to do so in the future. I have far more ideas I’m super excited about than I could ever write in one lifetime, and because I make my living from writing I do at times have to prioritize those ideas according to how whether I think they can make me a living wage (I don’t write fast enough to toss off side projects, and in fact at the moment I’ve so heavily booked up that I don’t have time for side projects regardless).

I do see a resurgence of science fiction in the YA field right now, and I’m hopeful that may open up sf in book form again (SF is pretty standard on tv and in film and gaming now; it’s basically gone mainstream in the visual media.)

 

COLD STEEL events (readings/signings)(Spiritwalker Monday 6)

To support the release of the third and final volume of the Spiritwalker Trilogy I will be at the following bookstores/events:

Borderlands Books, San Francisco, CA: Thursday June 27 at 7 pm

with Katharine Kerr who will also have a new book out.

 

Mysterious Galaxy San Diego, Saturday June 29 at 2 pm

with Andy Duncan and Clarion students (should be fun AND educational).

 

New York CIty: NYRSF reading Tuesday July 2 (with E. C. Ambrose) at 7 pm

 

University Bookstore, Seattle, WA: Monday July 8 at 7 pm

 

Powells Beaverton, Portland OR: Tuesday July 9 at 7 pm

With Lilith Saintcrow!

 

All events will include reading from Cold Steel, from my forthcoming YA fantasy, and maybe even from the epic fantasy trilogy I’m currently working on, or possibly I will read a short story instead although that might necessitate you believing I can actually write a short story. Which I can. I totally can.

PLUS Q&A (you have to bring the Qs).

AND I will either have print copies of The Secret Journal of Beatrice Hassi Barahal available (art by the awesome Julie Dillon!!!!) OR if it is not yet finished I will have a rough version with some of the illustrations to display and a place to sign up with your email/address to get notification when the print and e-book versions are ready for purchase.

 

Please know that I would love to see you. Yes, you! Especially YOU!

And your friends, family, or indeed any passers-by you can snag off the street. If I’m not coming to a city near you, send friends or family who do live in the area. The more the merrier. If enough people come I will sing OR demonstrate how to paddle an outrigger canoe and punch sharks.

I plan to attend the Sirens Conference in Oregon in October (it’s a wonderful small conference — come if you can!) but besides that the events listed above will be my only appearances in public venues/conventions this year (as far as I know).

 

A note on bookstore events: I’m signing at four well regarded and valued independent bookstores. You may bring personal books from home for me to sign. It is not required to buy (for example) Cold Steel or any book from the bookstore but it is always a strong show of support for independent bookstores if you can and do buy a copy of my newest book or, indeed, any book while you’re there (whether or not it is one of mine).

If you’re not able to make the event, I do always sign stock at each bookstore so you can order a signed copy afterward. If you contact any of the bookstores IN ADVANCE you can reserve a book and get it signed to you at the event (by me! not some random book signing gnome).

Character Study: Catherine Barahal (Spiritwalker Monday 8)

Over on her blog, N.K. Jemisin did a series of character studies for some of the characters in her Inheritance Trilogy. Here’s one, for Itempas.

I decided to borrow the “character study” idea for today’s post so  I could combine it with a question I was recently asked: What was your thought process for the creation of Cat? (LS)

Warning: There will be spoilers later in this post for Cold Magic and Cold Fire, but the first part is fairly general.

 

First, I wanted Cat to be physically confident, someone who knows when to run and when to stand her ground, and who isn’t afraid of a physical challenge. At the same time I wanted her to NOT be a person whose feelings are bottled up; Cat is very free with her feelings, she laughs and cries easily and does not judge herself for having strong feelings.

That is the initial contrast I was going for: She is both physically confident *and* emotionally confident in the sense that she doesn’t try to hide, disguise, or be embarrassed by her emotions nor does she see being emotional as something inherently weak. She wears her heart on her sleeve and she is not afraid of a challenge.

I did not want her to be a girl who needs to be rescued; I wanted her to be a young woman able to rescue herself (and others). I did not want her anger to be debilitating or shameful; I wanted her anger (when it manifests) to be clean and pure. I did not want her to be coy or retiring; I wanted her to be forthright, curious, and fully engaged in exploring all the aspects of herself that commonly unfold as people come into adulthood, like her sexual feelings, her growing understanding of how politics and the world works and her place within the world, and her concern for and loyalty toward others. I wanted her to judge injustice harshly but to feel compassion even for people who may have hurt her. I wanted her to display a sense of the absurd and to have the capacity to see joy in the world.

Most of all I wanted her to speak for herself because I wanted readers to read about a character who believes in her own voice, as I hope we all can learn to believe in our own voices.

That last turned out to be easy because the book is written in her first person narration. All I had to do was move my own “voice” aside and let the book emerge in her voice. One of the most interesting things about writing in Cat’s voice is that she’s funny. My usual serious-business epic fantasy writing voice is not funny so it has been an illuminating experience writing books that people tell me make them laugh out loud at moments.

 

Spoilers for Cold Magic and Cold Fire follow. Continue reading

On the efficacy of cold magic (Spiritwalker Monday 11)

On the efficacy of cold magic, with an aside to cold mages and their antipathy to technology.

By Habibah ibnah Alhamrai, natural philosopher and lecturer at the University of Expedition

 It is well known that the great mage Houses are anathema to the technologies developed and developing in the Amerikes, especially those so abundantly useful in Expedition and other areas where the technologies have been employed. One might assume that the cause of this antipathy might be that much of these technologies are the handiwork of the Trolls, and that the mage have, in general, an inborn hatred or even natural dislike for their species. One would be totally mistaken.

The mages do not care about the Trolls except that they create and perpetrate many new technologies that the mages find repulsive, or rather that they find unuseable and from which they are repulsed. Part of this is undoubtedly physical, but some may be psychological in the sheer inescapability of their being cold mages. A common example of this physical repulsion can be seen in nearly any locale where gas light has been installed and is currently enhancing the environs of most normal citizens. We know that gas light is produced in lamps designed specifically to allow small amounts of gas to expand inside the globe and ignite and burn, thereby providing light and a bit of heat. The heat in this case is useless as the globes are high above the street, but the light, because of that height, shines down upon the ground and illuminates the surrounding area.

But watch a carriage carrying a cold mage through the streets and it is easy to see the problem. As the carriage approaches the light, the light dims. When the carriage is beneath the lamp, the light is nearly invisible. And when the carriage passes, only then does the light begin to brighten and eventually burn to its natural state.

It is widely known that cold mage houses are heated by an indirect method originally invented and employed by the Romans. It might be thought that they use this old style through some propensity toward ancient knowledge. That thought would be wrong. While it is unclear if the cold mages themselves would actually suffer much from the coldness, their spouses and children are not possessed of their abilities and certainly will. Therefore, cold mage manors must be heated in some way. This indirect method, though in some ways less efficient than direct heating by stove or fireplace, is nonetheless the only method available in an abode where cold mages reside. These Roman heat pipes are just that, pipes beneath the floors of the rooms that carry hot water or air. The heat source must be located somewhere away from the main house so that the cold magic cannot reach it, as not only will a cold mage put out a fire in near proximity, but it will also be impossible to relight the fire until the cold mage has departed. Generally, the mage houses place the fire building up hill from the house at a spring location so that water can be heated and then flow naturally down to the manor house itself. As far as can be understood, cold mages have had difficulty with fire for their entire existence, but, since little is known about the early days of the cold mages, little can be said as to how they adapted to their difficulties and adopted the Roman methods.

On the essence of cold magic, its spontaneous generation and use.

Cold magic is not an old ability. It did not exist during the height of the Roman hegemony. During that time, while various magics undoubtedly existed, cold magic did not. It is only due to the Salt Plague that cold magic could come into existence. One need not repeat here the history of the salt plague or the ghouls that emerged and destroyed entire civilizations. Nor the subsequent migrations and resettlements. The history may be read in any one of many treatises, but a simple explanation may be found in the workman-like discourse found in “Concerning the Mande Peoples of Western Africa Who Were Forced by Necessity to Abandon Their Homeland and Settle in Europe Just South of the Ice Shelf,” by Catharine Hassi Barahal of the famous Hassi Barahal Kena’ani lineage.

Let it be said that one fortuitous result of the plague, or rather the migration caused by the plague, is that the Mande from Africa met the Celtic druids of the north. Obviously, not all Mande were equal in either wealth or magic. The wealthy of the Mande married into the princely Celtic houses of the north, while those possessing magic found the Celtic druids to be of a kind, joined together with their societies and their houses. The combination led to the emergence of strong mages who had the ability to wield the power of the ice. This merging of two disparate elements formed the mage Houses.

However, not all or every merging of Mande with Celt produced or to this day produce cold mages and not all cold mages are equal. Because cold magic does not show up at birth, and because all joining does not produce a cold mage, the current mages have taken to occasionally plowing somewhat far from home and only reaping the outcome if it seems favorable. At this point, the lineages of the Celtic druids and the Mande run throughout many of the villages and towns within their realms so where a cold mage will appear is unknown. The biology of this phenomenon is undoubtedly fascinating but is not yet understood.

It is widely known that scholars believe that magic could be explicated on scientific principle if only those who handle magic were not so secretive.  It is my thesis that much of cold magic can be explicated using only the principles of natural history and the sciences without the aid of the mages. In fact, help from the mages would probably serve only to further confuse.

For example, it is widely held by the mages and others that the source of cold magic is in the spirit world. That the source of the vast energies available to the mages is somewhere hidden in that world. The path to that energy may be in the spirit world, but the source of the power is the ice that covers the entire northern portion of our planet and on whose edge we settle. It is doubtful that if the Celtic druids had been the ones forced from their homes to settle in the Mande area of Africa that cold mages would today exist. Perhaps in that environ, the essence and control of fire magic might have become dominant. However, the vagaries of the gods forced the Mande to the north to sit on the edge of the source of their great power.

“The history of the world begins in ice, and it will end in ice.”

The Celtic bards and Mande djeliw of the north say this, but they do not know how correct they are. The Romans may have believed the world began in fire, but now, ice rules, as do the cold mages. The power of cold is extraordinary. Anyone in the proximity of a cold mage releasing his power will attest to this. Area wide storms of wind, ice and snow rain down upon those in the path of a cold mage’s ire. Liquid freezes and solid objects become so cold they brittlize and shatter. Through the spirit world and into the ice the mages reach, releasing the power. The ice is the ultimate source.

This is why one of the few things that a powerful cold mage fears is the Wild Hunt. The Wild Hunt will identify mages who overstep their bonds, who use their power too much, too often or too impulsively, and sweep down and remove that mage from the mix. We can not know the machination of those in the Wild Hunt nor the rest of their ilk, but they monitor and punish not just simple mortals, but the cold mages, for those of the Wild Hunt own the ice.

While I can not explain to you how the mages channel their power from the ice, nor whether that power is limited or limitless, I can explain their use of that power and why they themselves have a repulsion to fire and technology. We all know how fire can change metals in the forge or pottery in the kiln, but cold can do the same if wielded by a skilled mage. Take glass for example. For most of us, a broken pane of glass can only be repaired by remelting and pouring a new pane, but a cold mage can take those shards and knit them into a whole. How can this be done with cold rather than heat? We know that glass is amorphous, if the two edges are held together, the mage can make the components at the edges move and intertwine thereby fusing them together with intense cold. In this case, there are no crystals to reunite or layers to re-adhere. Just as the masses of ice on the glaciers move, melt and reform under the great mass of the ice, so a mage’s touch can cold press the glass into reforming.

One does not often see a mage re-forming glass, but one does see the effects of a mage’s presence on fire and technology. The principles of fire are well understood, but a short explanation is appropriate here. In general, heat, from a fire, friction of rubbing, concentrated sunlight or striking of flint on steel warms the material to be burned, and when the temperature rises sufficiently for the substance to become gaseous, the material ignites. The material remains lit and burns because the fire of burning itself provides more gaseous fuel for the fire. An easy example to see is a candle.  An ember transferred from the fireplace ignites the wick which burns rapidly until it approaches the wax. The wax melts, moves up the wick, evaporates and ignites and the process continues until there is no wax left.

When mages enter areas where there is fire of any kind, the intense cold presence around them sucks all the warmth from the area. The flame can no longer consume the material, be it wood, candle wax or gas, because the heat is drawn into the mage and the fire dies. Fires cannot be lit in the presence of a mage because the cold aura prevents any of the materials from igniting. Even if a spark from flint can be created, the materials will not burn.
The effect of this sucking of energy on a fireplace fire or candle are transient and while the mages dislike them, they are merely annoying. The presence of large furnaces, like the ones created in Expedition to run the boilers that power the factories, contain much more energy, and while the mages have a similar effect on a factory as they do on a candle, the great heat absorbed by the mages is no longer simply annoying, but can begin to eat into their very essence. This, I believe, is why the mage Houses are so opposed to the new technologies. They fear first, that the presence of so much technology producing so much heat will interfere with their magic, but they fear foremost that the technology will become all pervasive and interfere with their well being, melting them and eroding them from inside.

 

###

@ A’ndrea Messer 2010

Science writer A’ndrea Messer wrote this piece “in the style of” an early 19th century paper or lecture. The character Habibah ibnah Alhamrai appears in Cold Fire.

A’ndrea and her colleagues at the Research Communications unit of The Pennsylvania State University have a blog: Research Matters.

COLD MAGIC on sale (Kindle & Nook)

Today only (April 4) Cold Magic is on sale for $1.99 on at Amazon/Kindle and at B&N/Nook. AND at iBooks.

If you haven’t read it or if you read it from the library and want a copy or even just TELL YOUR FRIENDS (or enemies–whatever): Now’s your chance.

Now is a good time to start the series regardless if you’ve not read it yet, with COLD STEEL coming out in June. [And while the official publication date is June 25, if I go by the example of Cold Fire’s soft launch back in Sept 2011, there’s a chance the trade paperback will start hitting stores earlier although the ebook won’t drop until the official day.]