Update on Melanie Rawn’s EXILES 3, The Captal’s Tower

Melanie has asked me to post the following, received from her via email.

 

Yes, I will write Captal’s Tower. I’m very sorry it’s taken so long. My sincere thanks to all of you who have been so patient. I’m currently writing the fifth book in the “Glass Thorns” series, and after that my plan is to get to work on Captal’s Tower. If anything about that plan changes, I’ll post on my website (www.melanierawn.com).

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Loncon3 / Worldcon Schedule

Loncon 3 (London Worldcon) takes place 14 – 18 August 2014.

My Philosophy of Con-going:  I attend conventions specifically to meet readers (and to see friends), so don’t be shy: Introduce yourself.

I am scheduled for a Signing on Friday (see below), but for signing books/etc also please feel free to come to my Reading, sign up for my Kaffeeklatsch, or track me down after a panel (except when I have back to back events I will try to leave time open post-panel) because I can talk or sign then too

I will also be at Fantasycon 2014, 5-7 September, in York, England, a small, informal convention where you definitely will be able to find me easily and the venue won’t be seething with masses of people as Loncon will.

LONCON: MY SCHEDULE

Signing: Kate Elliott

Friday 12:00 – 13:30, Autographing Space (ExCel)

I will have postcards with the cover of my forthcoming short story collection (Tachyon Press) featuring the truly fabulous Julie Dillon illustration from a scene in Cold Steel.

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Imagining Fantasy Lands: The Status Quo Does Not Need Worldbuilding

Friday 16:30 – 18:00, Capital Suite 11 (ExCeL)

Mary Anne Mohanraj (M), Tobias Buckell, Kate Elliott, Rochita Loenen-Ruiz

Fantasy world-building sometimes comes under fire for its pedantic attention to detail at the expense of pacing or prose style. Do descriptive passages clog up the narrative needlessly, when reader imagination should be filling in the gaps? Where does that leave the landscapes and cultures that are less well represented in the Western genre: can world-building be a tool in subverting reader expectations that would otherwise default to pseudo-medieval Euro-esque? If fantasy is about defamiliarising the familiar, how important is material culture – buildings, furnishings, tools, the organisation of social and commercial space – in creating a fantasy world?

 

Beyond Bechdel

Friday 20:00 – 21:00, Capital Suite 7+12 (ExCeL)

Kate Heartfield (M), Kate Elliott, Jed Hartman, Julia Rios, JY Yang

The “Bechdel test” for female representation in films is now widely known. To pass it a film should contain two named female characters who have a conversation about something other than a man. In recent years, similar tests have been proposed for other under-represented groups, including the Mako Mori test for characters of colour, and the Russo test for queer characters. What are the strengths and weaknesses of such tests? How do they affect our viewing choices? And what does the popularity of such tests say about how popular media are being received and discussed?

 

“Your ‘realistic’ fantasy is a washed out colourless emptiness compared to the Rabelaisian reality.” Discuss.

Saturday 13:30 – 15:00, Capital Suite 6 (ExCeL)

Kate Elliott (M), Nic Clarke, Edward James, Kari Sperring, Jenny Blackford

‘Realism’ has become a buzzword for contemporary genre fantasy, but most medievalesque world-building still barely scratches the surface of the reality. One in three marriages in 14th-century Cairo ended in divorce; English towns were brimming with migrants, including people of colour; women fought on the battlefields of the Crusades; and cities across the world were awash with lurid pageantry that would make modern audiences blush. The panel will discuss aspects of medieval and early-modern life that were more complex than our fiction imagines, and ways of making our invented worlds as diverse and exciting as our history.

 

 

The Big Playthrough

Saturday 15:00 – 16:30, Capital Suite 7+12 (ExCeL)

Patrick Rothfuss, Kate Elliott, Michelle Sagara, Gail Carriger

Gail Carriger, Kate Elliott, Pat Rothfuss and Michelle Sagara West play Gloom for your delight and delectation! Gloom is a deeply inauspicious card game in which players strive to kill their horrid, horrid families in as gristly and grotty ways possible, whilst trying to keep the families of the other player alive. Will they be devoured by weasels or simply perturbed by pudding? Come along and find out…

 

 

Diversity Within Young Adult Science Fiction

Sunday 12:00 – 13:30, Capital Suite 2 (ExCeL)

Marieke Nijkamp (M), Kate Elliott, John Hornor Jacobs, Rochita Loenen-Ruiz, Mary Anne Mohanraj, Mahvesh Murad

From Earthsea to Noughts and Crosses, The Summer Prince to Akata Witch, children and teens need to see books with characters that represent the diverse world they live in, whether they are dystopian romance or fantasy adventure. Organisations like We Need Diverse Books are helping to promote diversity in children’s literature, but what actions can we take – as readers, writers, publishers, and book-buyers – to help them in their goals? And who are the great authors of the past few years we should be catching up on?

 

 

Kaffeeklatsch

Sunday 14:00 – 15:00, London Suite 5 (ExCeL)

Wesley Chu, Kate Elliott

(This is a small group meeting. You sign up in advance and the number of places are limited.)

 

Reading: Kate Elliott

Monday 11:00 – 11:30, London Suite 1 (ExCeL)

Kate Elliott (I will have a few special postcards (see above) signed by Julie Dillon to give away at this event.

 

Robin Hobb: When Assassins Didn’t Need to Be Hooded

Monday 13:30 – 15:00, Capital Suite 8 (ExCeL)

Tim Kershaw (M), Kate Elliott, Robin Hobb, Patrick Rothfuss, Kari Sperring

Robin Hobb has influenced a generation of epic fantasists with her unique voice, and a willingness to avoid easy solutions even if that sometimes means letting bad things happen to good characters. While Hobb’s work is dark at times, her famous assassin, FitzChivalry, is almost a kitten compared to the hooded cold blooded killers today’s audience seems to crave. Has the fantasy market fundamentally changed in tone and content, or just diversified? How did the field get from there to here? And, finally, where is it headed?

 

Guest Post: D. B. Jackson on Top Ten Things I Do To Help Me Write

I would like to welcome the fabulous D.B. Jackson (in 2012 he wrote a fine guest post on “the history that isn’t taught”). Today he tackles a rather different topic about tricks of the writing trade.

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Top Ten Things I Do To Help Me Write

by D. B. Jackson

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Let me start by saying that I love my job. I get to make up stories for a living. That’s an actual job; I get paid for doing that. It still blows my mind whenever I think of it. I would never dream of complaining about my job in any way.

Except to say that sometimes being a writer kind of sucks. Not a lot, mind you. I mean, I did just say that I love my job, and I even meant it. But there are a few things about it that I love less than others. And there are a VERY few things — one or three or seven — that I love less than I do, say, going to the dentist, or paying parking fines. Writing can be lonely (except for all the voices in my head, which never seem to pipe down). We writers work in isolation most of the time, and that can be difficult; it can also make us a little funny. Not in a ha-ha way, but more in a when-you-see-us-coming-you-really-ought-to-cross-the-street-and-avoid-making-eye-contact way.

The writing profession is not lucrative, at least not for most of us. Sure, there are a relative handful writers who make A LOT of money, and most of us (I’m really not supposed to say this, but you won’t tell, right?) hate those guys. A lot. And while the business end of writing doesn’t make us much money, it does come with more than its share of annoyances. Someday, when you’re at a bar with a writer (we spend a good deal of time in bars) buy him or her a drink and then ask about things like “reserves against returns,” “basket accounting,” and the way publicity dollars are distributed among authors in your typical publishing house. Actually, you might want to buy the author two drinks.

For these, and a variety of other reasons that none of us really understands, writers are pretty idiosyncratic. Or put another way, we’re all just a little weird. And every writer has his or her own habits and rituals that help us get through the work day.

Joking aside, we all do little things that allow us to be more productive, to stay healthy and sane, and to ensure that writing continues to be something we love.  And so, here is my list of “Top Ten Things I Do To Help Me Write.” Enjoy.

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1. I keep stuff on my desk — creative talismans of a sort — that help me maintain my focus. The most important item is a small ceramic sculpture of a Storyteller, the legendary figure of the Southwestern Pueblo cultures. I bought it in Acoma, New Mexico, in 1994 from a young girl whose mother was selling pot and bowls. At the time, my career was just starting and I didn’t know if I would make it as a professional writer. This Storyteller has been with me ever since. I can’t look at it without smiling and feeling fortunate to be a author.

2. Every book I have ever written has a bird of prey in it. Why? Well, I’m an avid birdwatcher and I love hawks and owls. And birds of prey figure prominently in my first series, the LonTobyn Chronicle (written as David B. Coe). It is another way of reminding myself that I’m here; I made it to where I want to be, and I should never, ever take for granted whatever success I’ve enjoyed. So, for whatever reason, I always put a raptor or owl in my books. Look for them — you’ll find them.

3. Lots of authors listen to music when they write. Lots don’t. I do, but only certain kinds — either bluegrass or jazz. Always instrumental. I find that the improvisational quality of the music actually feeds my creativity.

4. Every weekday, before I sit down to work, I spend an hour at the gym working out. For most of my day I am pretty sedentary. That workout in the morning makes me feel better, helps me look better, and keeps me sane. For the same reason, I only allow myself a single snack in the late afternoon. No snacking before lunch, and no snacking after lunch before 3:00 pm. I do keep myself hydrated all day, but I don’t use food as a form of procrastination. If I’m not healthy, I can’t be productive.

5. I set concrete, achievable goals for every day I write, and I make myself meet them. I write fairly quickly — not as quickly as some, but at a good enough pace that I can generally write a book of 100,000 words in about three months. I didn’t always write that quickly — when I began, I wrote about 1000 words (or 4 double-spaced pages) per day. My pace today is about 2500 words per day (10 pages). But the actual number of words is not what’s important. The key is finding a pace that works for you, that allows you to get your work done at a good clip, but that doesn’t set you up for failure each day by demanding too much.

6. Another of my desktop talismans is a horoscope that was published while I was writing my first book. Essentially the horoscope said that I should pursue my passion and dreams, and that I should ignore those who don’t think I can be successful. That’s pretty good advice, and having that horoscope on my desk ensures that I don’t forget it.

7. I write full time. I’m very lucky that way — it’s my only job. And I treat it like a job. I work Monday through Friday — I do relatively little work on weekends. And I also work regular hours — I usually knock off from work in the late afternoon (unless I haven’t met my word count goal for the day). My point is that I reserve time for myself, for my kids, for my wife. If I didn’t, I would have burned out long ago.

8. I keep moving forward. Sometimes I will be working on a scene and I’ll realize that there are things that need fixing in earlier chapters. But I do not go back and fix them then; instead I make a note in an “Edits” file and I keep moving forward. For me, momentum is crucial. As soon as I stop to revise, I lose my rhythm and energy and my work in progress begins to languish. Make notes and keep moving forward. That’s what works for me.

9. I always — ALWAYS — write with a dictionary and a thesaurus by my side. It’s not that I use a thesaurus incessantly to come up with new, novel, innovative, fresh words. (See what I did there?) But sometimes I’m stuck for a word. Sometimes I want to know the precise meaning of the word I intend to use. Sometimes I need to know when the word I’m considering entered the language. Between the dictionary and the thesaurus I can usually find the information I need.

10. Sometimes I don’t write. Sometimes I take a few hours off to hike or birdwatch or take my camera out and shoot some pictures. Sometimes I take my guitar out and play some music. I can’t write well if I’m not fresh, and I can’t stay fresh if I don’t do things that I love to do.

So there’s my list. Do you have one, too? What does yours look like?

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D.B. Jackson is also David B. Coe, the award-winning author of more than a dozen fantasy novels. His first two books as D.B. Jackson, the Revolutionary War era urban fantasies, Thieftaker and Thieves’ Quarry, volumes I and II of the Thieftaker Chronicles, are both available from Tor Books in hardcover and paperback. The third volume, A Plunder of Souls, will be released in hardcover on July 8. The fourth Thieftaker novel, Dead Man’s Reach, is in production and will be out in the summer of 2015. D.B. lives on the Cumberland Plateau with his wife and two teenaged daughters. They’re all smarter and prettier than he is, but they keep him around because he makes a mean vegetarian fajita. When he’s not writing he likes to hike, play guitar, and stalk the perfect image with his camera.

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