Cold Fire (Spiritwalker 2)

Although I’m posting this on 31 August my time, in the parts of the world where it is already 1 September, it is official release day for Cold Fire (Spiritwalker 2). That means you, UK/Australia/NZ and other English language/bookstore areas served by the Orbit UK and Orbit Australia divisions.

Some friendly Australians have already emailed me to let me know they have seen it in stores there (and in a couple of cases have purchased it–what fine people they are, and they know who they are!)

IMPORTANT: There is a bonus chapter that takes place within the timeline of the book but which is not in the published version. I will post it online AFTER the USA/NA release (it contains spoilers). If you are in the UK/Aus/NZ/etc market and want to read this bonus chapter NOW, please email me at Kate.Elliott at sff.net.

Gosh, are you going to get sick of this cover, or what? I’ll post it again on 26 September, which is the official release date for the book in the USA/NA market.

I describe book 1, Cold Magic, as an Afro-Celtic post-Roman icepunk Regency fantasy adventure, with airships, Phoenician spies, the intelligent descendents of troodons, and a dash of steampunk.

I spent a while trying to figure out a similar description for book 2, which I posted some weeks ago, but all things considered, I think I’ll just go with this one:

Sharks! Kisses! Sword-fights!

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Trying to Write Non-Colonial Alternate-History in a Fantasy Context

The Spiritwalker Trilogy (starting with COLD MAGIC) is my attempt to write “an Afro-Celtic post-Roman icepunk Regency fantasy adventure with airships, Phoenician spies, and the intelligent descendents of troodons.”

There’s a quite interesting discussion of colonialism and post colonialism (specifically with regard to fantasy and science fiction and her own work) in N.K. Jemisin’s post Considering Colonialism. In the comments, Jemisin mentions that she thinks Spiritwalker might be a non-colonial narrative.

I suspect it is difficult if not impossible to write non-colonial narratives in our colonial and post-colonial world when writing from the perspective of a culture that has done its share of colonizing. However, I believe the point is to examine other ways the world could be (and is, outside a certain narrow range of vision) and open a window onto them.

Here is the map for COLD FIRE, Spiritwalker #2  (click to embiggen)

Map drawn by Jeffrey Ward from an original by me (assisted by A’ndrea Messer).