NaNoWriMo 11: 2015 is for The Very Best, Court of Fives, & Black Wolves

Having emailed the revised manuscript for BLACK WOLVES to my editor yesterday at 1 a.m. (which means technically today but let’s not quibble), I managed to do pretty much zero today which all told I am taking as a win.

I do not have enough bandwidth to write anything that takes more than 5 brain cells rubbing together so I decided to take a photo of my three current projects all lined up in a row on my kitchen table.*

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On the left we have the page proofs for THE VERY BEST OF KATE ELLIOTT, a short fiction collection by Tachyon Publications, due for publication in February 2015.

In the middle we have the page proofs for COURT OF FIVES, a YA fantasy novel (“Little Women meets Game of Thrones” is what the publisher is calling it) being published by Little, Brown Books for Young Readers on 18 August 2015.

Finally, on the right, the typically monstrous epic fantasy since that is apparently the only type of epic fantasy I can write. BLACK WOLVES will be published by Orbit Books. Possibly October 2015 but that is not yet confirmed.

I have all these books coming next year because I had nothing come out in 2014 due to the events of 2013 putting the brakes on my writing for the year.

Publishers usually like to have completed revised and edited manuscripts a year ahead of publication date because that gives them plenty of time to move through the production phase and whatever marketing and publicity work they are going to do to get pre-orders and publicity going for the novel. There is a lot of lead time in this business (books can be produced quickly but it costs more, so with commercial publishers a very short lead time is an option only for books that must have a quick turnaround for timeliness or are expected to be bestsellers).

What do I personally get for all that lead time? Focused and intensive editing, a good-to-excellent copy edit, excellent design and typography, great covers (not always for everyone but I’ve had quite good luck with covers), an expansive distribution network, and a lot of miscellaneous work that I simply could not do myself or wouldn’t be good at. On a later date I will post the timeline of COURT OF FIVES to give a sense of how the process worked.

Meanwhile I am going to bed in the hopes of catching up with my sleep so I can embark tomorrow on the glamorous immediate-post-manscript writing life of laundry, filing, opening mail, and a few errands.

 

 

* the advanced reading copy in the background is Wesley Chu’s TIME SALVAGER (July 2015, Tor Books)

Page Proofs Arrive for Court of Fives

Here’s an extremely basic version of how my part in the publishing process works in traditional commercial publishing (not other kinds, like self-publishing, which I don’t have enough expertise to discuss):

I write a book. Maybe I write an entire first draft and then sell it to a publisher or maybe I sell it on proposal and write it after I have a contract. I revise the work some number of times and turn it into my editor.

The editor gives me revision notes, and I revise.

After several revision passes, the manuscript goes to a copy editor who goes over it to make sure there is proper grammar, consistency of usage and nomenclature, and no awkward language, and to check for a character’s eyes changing color from brown to blue and other such random mistakes.

The manuscript gets typeset into the visual form it will have as a book. At this point I get sent first pass page proofs to proof for typos and any final minor line edits. Page proofs for my forthcoming YA fantasy novel arrived this week.

Here is a photo of the title page of COURT OF FIVES, with lovely typography and design.

A photo of the title page of Court of Fives, Book One of The Fives, Kate Elliott. From the page proofs.

I have a full month to proof the text. So far the text has been very clean.

Here’s the first page:

pg1C0Fproofs

On more step closer to publication, which is (alas) still a ways off: Summer 2015, published by Little, Brown Books for Young Readers.

I will have more information about the story and publication details in a later post. Meanwhile, I’m thrilled to see my “Little Women meet the Count of Monte Cristo in a setting inspired by Greco-Roman Egypt” fantasy turning into a book.

Women Destroy SF, Julie Dillon Illustrates, & Publication Updates

The June 2014 issue of Lightspeed Magazine is WOMEN DESTROY SCIENCE FICTION. Read about its genesis here, and you can buy a complete e-version RIGHT NOW or read it for free online across the month of June as all the stories are released day by day.

Of particular interest is that my daughter is one of the contributors, in her first professional sale, for the flash fiction “The Hymn of Ordeal, No. 23” (points if you get where the title comes from), and honestly I am SO EXCITED I CANNOT EVEN TELL YOU.

So naturally I heartily recommend the issue to your attention.

 

Meanwhile, over at A Dribble of Ink, I share some of the fabulous Julie Dillon illustrations that are in The Secret Journal of Beatrice Hassi Barahal, and talk a little bit about the genesis of the project. Mostly because it is Hugo voting season I want to signal boost what a fantastic artist Julie is; she is one of the finalists for the Hugo Award Pro Artist category this year.

 

Finally, publication news.

Here is the information page for my upcoming collection with Tachyon Publications.

My YA fantasy, COURT OF FIVES, is in production and due for publication in Summer 2015 via Little, Brown Young Readers. There’s a rudimentary goodreads page but no other internet presence so far.

My new epic fantasy, BLACK WOLVES, has a complete draft. After a 2 hour phone call with my perspicacious editor and a 20 page edit letter, I now embark upon a vast raft of revisions so can offer no firm publication date yet but I can confirm it will not be published in 2014. I will update a confirmed date when we have one but I expect that will not be until I have a solid second draft, and I can’t be sure how long revisions will take. This is all good news, though: I want to write and you want to read the very best book I am capable of writing.

 

Reminder: I am thrilled to be one of the Guests of Honor at Fantasycon 2014 in York, England, 5 – 7 September THIS YEAR and I would love to see you there (it is a small convention and so a venue in which you can expect to actually get to talk to people; I expect lots of great programming and discussion).

I also plan to attend Loncon 3 (Worldcon) in London 14 – 18 August 2014, which looks huge and exciting.

If you attend either or both events, please find me and say hello. I attend conventions to see friends I only see at conventions (and talk endlessly about writing) and to meet new people and chat with readers.

Writing Update w/ News

As many of you know, the Spiritwalker Trilogy is complete, together with two coda stories: The Secret Journal of Beatrice Hassi Barahal (with the most awesome illustrations by Hugo-nominated artist Julie Dillon) and The Courtship (told from the point of view of Andevai). I have a few more Spiritwalker short stories in progress, including one that involves . . . babies (for those of you that like that kind of thing). Again, thanks to all of you who have so enthusiastically read Cat’s story (and to those who read it and were more lukewarm; honestly, I appreciate people reading my books however it goes.)

For my two latest projects I have been working on a YA fantasy (which will be published as a YA and not in the adult sff field) and a new epic fantasy (first of a series).

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COURT OF FIVES is now the more official title of the YA fantasy formerly known as MASK (not yet fully confirmed but I think this is going to be it). It is fully revised and in production for a Summer 2015 publication date (the wheels of production grind slowly in YA publishing; they like lots of lead time to promote their titles).

This is the “Little Women meet the Count of Monte Cristo in a fantasy world loosely inspired by Greco-Roman Egypt” story that I’ve mentioned before. I wanted to write an epic fantasy that centered around girls, and telling it through the story of four sisters struck me as absolutely the way to go. In my dry, laconic way I am TOTALLY EXCITED about this book. It is definitely the fastest paced and most streamlined thing I have ever written, without losing the details and (I hope) complexity that I love.

(A younger) Hideo Muraoka would be pretty close to my head canon for the love interest:

 

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Meanwhile, I have turned in a draft of THE BLACK WOLVES to Orbit Books. This is the first volume of an epic fantasy series and, again, I wanted to center a story around women (3 of the 5 point of view characters are women and their points of view get about 75% of the page time in this volume). Having said that, I should note that I believe all the characters are great and (I hope) varied.

Here is the current description:

SOME CHOICES CAN NEVER BE UNDONE.
He lost his honor long ago.
Captain Kellas was lauded as the king’s most faithful servant until the day he failed in his duty. Dismissed from service, his elite regiment disbanded, he left the royal palace and took up another life.
Now a battle brews within the palace that threatens to reveal deadly secrets and spill over into open war. The king needs a loyal soldier to protect him.
Can a disgraced man ever be trusted?

I know, I know, it seems like it’s all about a dude, but trust me on this. Not that I have anything against dudes! I am sure that 50% of the characters in this book are men and I love each and every one of them. Especially Captain Kellas.

THE BLACK WOLVES is also currently scheduled for 2015.

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Finally, I have a forthcoming collection of short fiction (and four essays) coming out with Tachyon Publications, to be titled THE VERY BEST OF KATE ELLIOTT. (Truth in advertising: it is actually “all the short fiction Kate Elliott has written in her career so far except for a couple of Spiritwalker-related stories and with the addition of two new novelettes to sweeten the deal”).

Much more on that later.