Free book giveaway for teachers and librarians! Thanksgiving 2017

For Thanksgiving I’d like to thank librarians and teachers for their hard work by giving away several dozen copies of my books to teachers and librarians.

Here’s how this will work (and with thanks to Malinda Lo who gave me her template for a librarian/teacher giveaway):

·   this giveaway is only for teachers and librarians (any librarians, not just youth librarians). I’m particularly hoping that libraries and schools that have low/non-existent book buying budgets can take advantage of this giveaway. I’d also love to see my YA trilogy in the hands of more teens!

·   first-come, first-served basis, because that’s what I can handle. If your first choice is gone, you’ll get your second choice, etc, until all the books are gone.

·   I am paying for all the shipping costs, so this is totally free to you. However, this means I can only ship to US mailing addresses. Sorry, non-US folks; I can’t afford the international shipping costs. The books will go out media mail so it may take some time for them to arrive.

·  I will sign the books. (signed only, not personalized)

FOLLOW THESE DIRECTIONS:

1.  Email me at ke@imakeupworlds.com with the subject header Teacher/Librarian Giveaway.

2.  Please email me either from your work email or reference your work email in the body of the email so I can tell you’re legit (sorry, you know how it goes these days).

3. Include a mailing address so I can mail the books without having to ask for further information.

4.  List three choices in order of preference (as 1. 2. and 3.) I will fulfill first come/first served according to what is still available, so you’ll get your top choice if that’s still available, second if it isn’t, third (etc), until all the books are given away.

The List of Books/Audiobooks Available:

5 (five) sets of the complete Court of Fives trilogy in hardcover (Court of Fives, Poisoned Blade, & Buried Heart)

5 (five) paired sets of hardcovers of Poisoned Blade and Buried Heart

5 trade paperbacks of Poisoned Blade

5 (five) sets of the complete Court of Fives trilogy in audiobook CD (all three novels)

10 mass market copies of Cold Fire (Spiritwalker trilogy book 2)

10 trade paperbacks of Cold Steel (Spiritwalker trilogy book 3)

Thank you for the important work you do.

If you don’t want to email, or if you emailed and I didn’t respond that I’d gotten your email, you can fill out this google form:

P. S. Email me at ke@imakeupworlds.com if you have any questions.

BURIED HEART/Court of Fives Trilogy Discussion HERE

 

I’m opening up comments here for discussion of the Court of Fives trilogy, BURIED HEART  or any of the volumes specifically, both of the novellas (Night Flower and Bright Thrones), and any questions about world building details, character choices, thematic content, how much you hate Gargaron, worst/best scene, and really anything.

Or you can just comment, no discussion necessary.

SPOILERS OKAY (so if you haven’t read the entire trilogy, be warned)

I will be creating a post with all the maps ASAP.

 

 

A Tour of Saryenia (from Descriptions of Efea, a guidebook)

A Tour of the City of Saryenia

from

Descriptions of Efea (A guidebook for travelers)

Enter the royal city of Saryenia. You will see such wonders here as you never knew existed in your tour of the many countries bordering the Three Seas.

It’s true this magnificent city began as a humble Efean fishing village built between Mist Lake and the Fire Sea. The narrow, twisting lanes of the oldest part of the city, the Warrens, are all that remain of the village, and of course only Commoners–that’s what we call people of Efean ancestry–live there now.  Because the streets have no names, the only way to figure out where you are is by your proximity to the fountains at each intersection of three or four or five alleys (we can’t really call such narrow passageways “streets”). Each fountain bears the statue of an animal atop it, so the Commoners who live in the Warrens will give you directions according to how close they live to the “cat fountain” or the “scorpion fountain.” We won’t go there today, nor do we recommend you attempt to navigate that maze alone or, in truth, at all.

Saryenia has much more interesting and splendid things to see.

From off shore you’ll notice the twin hills that give the city its distinctive topography. Called the King’s Hill and the Queen’s Hill, respectively, they mark the site of the King’s Palace and the Queen’s Palace, both massive buildings easily seen from far away. Remember that the current rulers of Efea originally came from the old Empire of Saro a hundred years ago. That’s why the architecture of the two palaces will remind you of the ancient imperial capital–now abandoned–in old Saro across the sea.

The hills are mirrored by the city’s twin harbors. The East Harbor is reserved for the royal navy, so you’ll arrive in the city at the bustling West Harbor, filled with merchant ships from every part of the Three Seas. You can buy anything on the streets of the Harbor District but it will cost you extra. So don’t go shopping there!

In fact, Saryenia’s famous markets are one of its chief attractions! The best known is the Lantern Market, where by day you can buy protective amulets, perfume, cosmetics, jewelry, and gifts suitable for lovers. At night, of course, the Lantern Market turns into the Lantern District, famous for its spectacular theatrical productions and poetry competitions. At night the Lantern District also sells every manner of pleasure, which we cannot detail in a family publication like this one.

But while the Lantern District is easily the most famous of the markets, don’t neglect the others. The Grain Market may be mostly wholesale grain and agricultural goods brought in from the nearby countryside, but it has its own fascination for the many boats coming and going from the lakeside port and the constant haggling of both Commoners and the ruling class of Saroese–who call themselves Patrons–over even the smallest of onions, for Efeans have an unseemly love of bargaining. Never take the first price you’re offered.

For something special, and often overlooked by visitors, try the Ribbon Market. Its scenic location tucked into the caldera of the Queen’s Hill gives it special interest, and it’s a rigorous day of shopping with so many stairs up and down to various levels, but you can’t beat the choice of local handicrafts, especially the amazing variety of colored ribbons and the astounding array of masks that can be bought there.

By now you’re probably hankering for a drink, and we recommend one of the harborside taverns–expensive but with a thrillingly diverse clientele and plenty of rowdy sailors who often break out in song–or a quieter drink at one of the elegant restaurants below the Queen’s Garden. Avoid the over-priced drinking establishments that open onto the Avenue of Triumphs as they are packed with off-duty soldiers more than happy to pick drunken fights with unsuspecting passers-by.

No trip to Saryenia would be complete with a visit to the Archives, known as the most complete library in the Three Seas. You’ll have to apply in advance for a tour since visitors aren’t allowed to wander around as they please. The architecture alone, with its pavilions and twin libraries, will give the cultured visitor much to remark on, and with a special dispensation in hand scholars can spend time among the books and scrolls of the main library.

Of the three temples, only the Temple of the Sun can be entered on a daily basis. The Temple of the Sea (not marked on the map) is currently under renovation and closed to the public. The Temple of Justice serves as a court, overseen by the king, and as with any working establishment you must have a case pending in order to enter. The Eternity Temple does not admit visitors at all, but like all citizens of Efea you can cross under its gate and enter the City of the Dead, the sacred peninsula where the tombs of the departed stand. Here, if you are bold, you can partake in the most peculiar and horrifying of Efean customs: Should you care to bring an offering to one of the tombs that houses a living oracle, you may present the gift to her and hope to receive an augury of your future from her lips. Although the local Patrons think this a perfectly commonplace act, few visitors dare to seek out the whispered words of an oracle, and in truth we advise even the most intrepid travelers to consider this local custom one they should assiduously avoid.

After all, if you get restless, you can crown your trip with an afternoon at the City Fives Court where the best athletes of Efea compete to be first to the victory tower. Thrill to their strength and agility! Marvel at their quick thinking and clever maze-running! Gasp at their daring leaps and acrobatics from heights high enough that a fall would kill! You’ll find the Fives nowhere else in all the countries bordering the Three Seas, and it’s a competition that shouldn’t be missed.

Just as Saryenia should not be missed, for it is indeed a unique city. We hope you enjoy your visit!

##

For some great visuals check out 5 Visual Descriptions of the City of Saryenia at The Novl.

BURIED HEART – Coming Soon! (+ Blog Tour)

The final installment of Kate Elliott’s debut Young Adult trilogy, BURIED HEART, will be released on 25 JULY 2017 from Little, Brown Books for Young Readers. You can pre-order your copy on Amazon, Barnes & Noble, or Indiebound.

Description:
“In this third book in the epic Court of Fives series, Jessamy is the crux of a revolution forged by the Commoner class hoping to overthrow their longtime Patron overlords. But enemies from foreign lands have attacked the kingdom, and Jes must find a way to unite the Commoners and Patrons to defend their home and all the people she loves. Will her status as a prominent champion athlete be enough to bring together those who have despised one another since long before her birth? Will she be able to keep her family out of the clutches of the evil Lord Gargaron? And will her relationship with Prince Kalliarkos remain strong when they find themselves on opposite sides of a war? Find all the answers in this beautifully written and exciting conclusion to World Fantasy Award finalist Kate Elliott’s debut New York Times bestselling young adult trilogy!”

Here’s what people are saying about the series so far:

Booklist, starred review:
Jes makes a worthy heroine, as bold and daring as she is endearing. One of the best things about this series is that the characters–heroes and baddies alike–are vividly real, their motives and emotions often fierce but always recognizable.”

Kirkus Reviews:
With strong characters and vivid worldbuilding that refuses to oversimplify individuals, cultures, and the opposing forces they represent…Court of Fives blends emotional intelligence, passionate idealism, and realpolitik in a plot ending at the cliff’s edge of revolutionary change. At once nuanced and thrilling…

VOYA:
The main character is the classic ‘strong female warrior’ archetype…and will remind most people of Katniss Everdeen…. This book deals with issues of family loyalty, standing up for one’s beliefs, and self-discovery…. A solid addition to a high school collection.”


There will be a Buried Heart blog tour leading up to and following its release, including exclusive interviews with and guests posts by Kate Elliott. You can follow along using this schedule (though all links will be cross-posted here simultaneously):

Week One:

Week Two:


Stay tuned for how you can win a FREE copy of BURIED HEART in a blog giveaway!

BRIGHT THRONES — New Court of Fives Companion Novella

A new Court of Fives companion novella, BRIGHT THRONES, is now available as exclusive digital content.

DESCRIPTION:
Bettany has always been an outsider in her family: the angry one, the wild one, the daughter who refused to accept the dominance of her Patron father’s people over her Commoner mother’s. When her family is torn apart by a vengeful lord, Bettany makes a dangerous choice to accompany their household servants being transported to the mines, hoping she can keep them from suffering a fate worse than death. Their only chance lies with a stuffy foreign doctor who may be able to help them escape, but can Bettany trust him? Her instincts tell her there is much more to this man than meets the eye.

Find out what happened to Jessamy’s missing twin sister in this Court of Fives companion novella!”

BRIGHT THRONES is available digitally through The Novl via Little, Brown Books for Young Readers on Amazon, Barnes and Noble, iBooks, Google Play, and Kobo.

And don’t forget: BURIED HEART, the third and final installment in the Court of Five series, will be released July 25, 2017! Information on pre-orders will be posted shortly!

Being the Best: Jessamy in Court of Fives

Originally posted on Once Upon a Twilight for the Poisoned Blade Blog Tour:


When I was in high school a friend of mine confessed that she deliberately scored poorly on tests. She didn’t want to do better than the boys, she said, because boys didn’t like girls who out-performed them and would therefore never ask them out on a date (this was back in the days when the custom was that boys had to ask girls out on a date, never a mutual ask or a girl asking a boy).
Her comment stuck with me. I was smart and competitive; I got excellent grades and I played sports and did pretty well; and, yes, I didn’t “get a date” then. Don’t worry. It’s not necessary to get a date in high school to have the life you want afterward. It worked out for me.
As I grew older and read more I saw how often, both in narrative and in society, girls and women could be good at things as long as they weren’t better than boys and men. As long as, in the unlikely event that they were better, they stayed modest about it. Or hid their light under a bushel. Or gracefully allowed themselves to be surpassed as the boy or man came into his true power. A woman who was too good had to be alone, or she had to choose between career and family, or she had to be described as “as good as a man” as if excellence is a male virtue and a male calling.
Thankfully times have changed. These assumptions are no longer considered “how it is.” However, elements of those old attitudes still drift along the edges of many fictional works (as well as in real life, where too much “attention” to girls and woman being successful can cause backlash among some people concerned that boys are now being neglected). This is why stories about girls becoming the best they can be still feel revolutionary to me, because of that long twilight in which girls were told they ought not to be so unfeminine as to be excellent, that assertiveness isn’t womanly, that they ought not want to compete at all.
When I wrote Court of Fives I deliberately chose to push right at that tender spot. I wanted to write about a girl who is an athlete, who wants to win, who wants never to lose. A girl who isn’t afraid to harness that energy, who is willing to train and work hard, who will never let up. Those qualities allow her to become good at running a game called the Fives, but they also serve her well when she has to navigate obstacles off the court.
Writing the main character, Jes, in this way wasn’t the only part of the equation. When she meets Lord Kalliarkos, it opens up the whole relationship of how and when girls get to be successful. So often the boy or man plays a mentor relationship to the girl or woman whose story is about becoming her true self or finding a sense of worth or realizing her potential through the intervention of a man. I love those stories about becoming and worth and potential too, and I’ve written versions of them.
But in this case I wanted to write about a boy who respects her skill, who admires her competitiveness, who talks to her for the first time because he thinks she can help him improve. How interesting would it be, I thought, to write a confident male character who notices a girl for the first time not because she is pretty or beautiful, not because of her sexy body or how she dresses and acts toward men, not because she is a innately magical girl or a chosen one who is therefore desirable, but because she is skilled and successful through her own efforts. Because she’s better than he is at something he wants to succeed at.
As it happens, the story in Court of Fives doesn’t play out as a flipped version of that trope (girl mentors boy), but it still (I think) pushes against it. Jes is *already good* and the skills she has worked so hard to gain are crucial as she’s plunged into a terrible, disastrous situation and needs all her determination and fierceness to survive. Kalliarkos brings a different set of knowledge and skills that turn out to be equally crucial.
Every time we write a story we, as authors, are engaged in a conversation with our own expectations about how people interact, how they behave with each other, and how society believes they should, or shouldn’t, act. Many of the most exciting elements of writing target received wisdom, and say, “let’s see what happens if we turn this assumption on its head, if we look at it another way.”
Jes is my tribute to the ambitious girls and women who don’t let up and who never stop striving to be the best.

(Thank you again to Once Upon a Twilight for hosting the original guest post!)

 

When First Draft Experiments Don’t Work (But Are Worthwhile Anyway)

Originally posted on Dark Faerie Tales for the Poisoned Blade Blog Tour:


From the beginning I envisioned Court of Fives as a trilogy or maybe even as a quartet. When I first started thinking about the series I had an idea in which I would write the first book in Jes’s point of view and then add one sister’s pov to each subsequent book until the reader met all four “in person.”

So when I started writing the first draft of book two, Poisoned Blade, I tried writing in the point of view of Amaya, the youngest sister. She’s the pretty one who loves fashion and theater, who writes poetry, who pretends to dream of marriage even though she is really dreaming of a different kind of independence in a world that gives her few options. She’s over-dramatic and self-absorbed.

Here is the opening scene I wrote for her:


EXCERPT FROM FIRST DRAFT in Amaya’s Point of View:

Once upon a time, in a better world, a beautiful girl named Amaya Tonor, daughter of the honorable and exceptionally brilliant army officer Captain Esladas, attended the theater with her best and most beloved friend, the equally lovely Denya Tonor. Denya was the daughter of Captain Osfiyos who was also honorable but quite honestly not nearly as brilliant as Captain Esladas. However that fact is something a well bred young Patron woman would never mention in company and certainly not to her most doting and affectionate friend.

With what pleasure did Amaya and Denya watch their favorite play, the Hide of the Ox, for perhaps the hundredth time! They had every line memorized.

It so happened on that occasion that a pair of handsome cavalry officers looking quite dashing in the uniform of the king’s royal horse soldiers sat in the audience. Smote by the charming girls’ beauty and lively speech, the officers at once begged leave to address the solemn fathers, and begged leave to contract each a marriage with the girl who most caught his eye. Because the officers were well connected and rich, the fathers naturally agreed but with the proviso that the girls prove willing.

Thus it was that, holding hands, Amaya and Denya sat later that evening upon a garden bench while the two officers proclaimed themselves unworthy of the elegant delicacy and alluring virtue laid before them. Being officers, they would often be away fighting in the wars. But being brothers, as is the custom of Patron households, they shared a compound and thus the two girls would have each other to keep company with in the months and years their husbands were absent. Would these frequent and lengthy absences be an impediment too great an obstacle for the girls to leap?

No! No! the girls assured them. It would be entirely suitable and just what they most desired.

Once upon a time, in a better world, this is the story that would have unfolded upon the stage of my life.

Meanwhile my insensitive older sister Maraya faces me in the empty common room of the dump of an inn we now live in. As if kindly scolding a slow-witted child, she tells me I have to cut my glorious hair and smear mud on my face so I won’t be possibly be recognized by customers while I serve drinks and clean the floors at this ghastly ramshackle tavern.

“I won’t cut my hair just because you have brewed up a hundred horrible happenstances that will never come true!” I protest as Maraya crosses her arms, callously unimpressed by my reasonable retort. “Even if our father is a famous general now, ten days ago he was nothing more than a humble lowborn captain. He kept us four girls under such a tight rein it’s astounding he ever let me attend the theater with Denya and her family at all! No one will recognize me, especially now that most of the army has left the city.”

Maraya blocks the door that opens onto the street. “If Lord Gargaron’s stewards catch sight of you on the street, they will run to tell his lordship immediately.”

“Lord Gargaron and his stewards only saw me once, Merry. I know I have the sort of pleasingly beauteous face that attracts notice, but it strikes me as implausible that important Patron men would remember me.” If I catch her by surprise and shove her to the left, I might be able to bolt out the door before she can grab me. I can’t breathe in here! So I chatter on, hoping to distract her before I make my move. “It’s unfair I’m not even allowed to go to the market and buy food!”

“Amaya, can you think about something other than yourself for a single blink of an eye? Don’t you recall that Lord Gargaron had Father investigated to make sure he was the brilliant military commander who kept winning victories that gave honor and glory to Lord Ottonor? Don’t you recall that Lord Gargaron had Lord Ottonor murdered? He knows everything about us. He knew Jes secretly ran the Fives. Not even Father knew that!”

“Jes is the selfish one, not me! She ruined everything for the rest of us by sneaking out to run the Fives when she knew Father would never allow any of his daughters to do such a thing.”

“Don’t change the subject.” Maraya pierces my five souls with a deadly flat stare that makes me feel like a bug she is too bored to squash. “You ought to be grateful to Jes, since she is the one who rescued us from a living death in an oracle’s tomb.”

“Of course I am grateful but this wretched compound might as well be my tomb if I can’t ever leave its walls.” I sob a little, as actresses do to show the depth and intensity of their scorned feelings.

“Do you have any idea how tedious you are, Amaya?”

“You have the heart of a fish! Cold and sluggish!”

She snorts indelicately. “Is that a quote from a bad play?”

“No!” I say quickly, even though it is a line from a play I wrote, which no one knows about except Denya.

“Thank the gods,” she replies.

“No one appreciates me!” I mutter in an undertone, but Maraya hears me and in reply sighs so heavily her disparagement might as well be a huge wreath of withering flowers shedding dying petals all around her.

“Amaya? Maraya? Are you in here? It’s so dim without the shutters open.”

Mother appears at the curtain that hides the kitchen from the front room where drinks and food are served. She has to lean against the wall to hold herself up.

I rush over to her. “You shouldn’t be walking yet, Mother! Did the healer give you permission to get up? You are supposed to stay in bed until the bleeding stops.”

“What a scold you have become, Amaya,” says Mother in her gentle voice as she takes my hands and squeezes them. As if she needs to reassure me! Her grip is so frail.

I burst into tears, fear choking my voice until it comes out as a leaky squeak. “You must go back to bed, Mother. You were so sick. Here, let me help you.”

Maraya hurriedly limps over to us and takes Mother’s other arm.

But instead of going back to her bed Mother sinks onto a bench, so we sit beside her. Although I no longer fear she will simply cease breathing and die while she sleeps, her normally radiant complexion looks gray with weariness. “I would like to see other walls just for a little bit. Let me rest here a while.”


After I wrote this I was surprised at how self-conscious Amaya’s voice was. As a writer I wasn’t sure whether that coyness was truly her voice, or whether *I* hadn’t gotten into the heart of her yet.

Regardless, it quickly became apparent for other reasons that the Court of Fives trilogy is Jes’s story to tell. I decided against using any other point of view except Jes to keep the story streamlined and focused, just as Jes herself is very focused, and I’ve been really happy with that decision as it plays out in Poisoned Blade and in book three, which I’m revising now (for a 2017 publication).

However, there were a couple of lines from my attempt to write in Amaya’s point of view that I wanted to keep, so when I wrote a scene toward the beginning of Poisoned Blade in which Jes visits her family, I managed to work those in.


EXCERPT FROM POISONED BLADE:

A drab curtain separates the front room [of the inn] where drink and food are served from the back where they are prepared. I smell bread grilling, but it is the familiar voices of my older and younger sister rising behind the curtain that captures my attention.

“It’s unfair I’m not even allowed to go to the night market!”

“To do what, Amaya? We don’t have money to buy anything. If Lord Gargaron’s stewards catch sight of you on the street, we’ll be discovered.”

“Lord Gargaron and his stewards only saw me once, Maraya. I know I have the sort of pleasingly beauteous face that attracts notice, but it strikes even me as implausible that important Patron men would remember.” By the strength of Amaya’s wheedling I can hear she has recovered from her near death by poisoned candied almonds in the tomb. “I can’t breathe in here! It doesn’t even have to be the night market. I’ll hide my face beneath a shawl and walk down by the water and breathe fresh air and listen to the mellifluous cries of the wind-kissed birds who are allowed to y free. Unlike me.”

“Do you have any idea how tedious you are, Amaya?”

“You have the heart of a sh! Cold and sluggish!” Amaya sobs as third-rate actresses do to show the depth and intensity of their scorned feelings. “This wretched compound might as well be my tomb if I can’t ever leave its walls.”

“Help me,” whispers Polodos with a look of such desperation that I giggle.

An abrupt silence follows my betraying laugh.

The curtain twitches as a person on the other side hooks it open just enough to peek through. I would know those lovely eyes anywhere.

I say, “Amaya, if you cut off all your hair, smear mud on your face, and wear a dirty canvas sack with a hole cut for your head, then you can safely go to the market without being recognized.”

With a shout of excitement, Amaya plunges into the room, flings herself upon me, and bursts into sobs while clutching me so tightly I have trouble breathing.

Maraya limps in, smiling. “Oh, Jes, I am so glad to see you! I was afraid it would be unsafe for you to visit us.”

They look just as they did back when we all lived well protected at home, only without the fashionable clothing, perfectly beribboned hair in the most up-to-date style, and fragrant oils and perfumes to hide the smell of sweat. Had we grown up without a successful Patron father who acknowledged us, girls like us might have lived in a place like this, scrambling to make a living and able to afford only cast-off dresses and mended muslin shawls for wrappings.

“How is Mother?” I ask into Amaya’s hair. When she hesitates I shove her to arm’s length, gripping her shoulders so hard she winces. “What’s wrong?”

“Jessamy? Is that you?” Mother appears at the curtain. She has to lean against the wall to hold herself up. She is as tall as I am, and the most beautiful person I know. But right now her dark brown complexion is sheeny with perspiration; her magnificent cloud of hair has been bound under a scarf; no earrings or jewelry ornament her, all the little gifts Father used to shower upon her. She coughs weakly. I rush over but Amaya bolts past me to reach her first.

“You shouldn’t be walking yet, Mother! You are supposed to stay in bed until every trace of bleeding stops.”

“What a scold you have become, Amaya,” says Mother in her gentle voice as she takes my hands as if she needs to reassure me. Her grip is so frail that I fear I might squeeze hard enough to shatter her without meaning to. “I am so glad you have come back, Jessamy. Is Bettany with you?”

Anguish chokes my voice until it comes out as a leaky squeak. “You must go back to bed, Mother. You were so sick. Here, let us help you.”

Amaya takes Mother’s other arm.

She sinks down onto the nearest bench. “I would like to see other walls just for a little while. I have not been out of that tiny room since we came here.”

Amaya and I sit on either side, snuggling close against her as we used to do when we were little.


For me, a large part of writing and revising is knowing when to discard an idea or approach, however painful it may be to throw out work I’ve already done, and when to repurpose it, as in the rewritten Jes-narrated scene. Experimenting with Amaya’s point of view gave me some insight into how the sisters interacted that I might not have noticed otherwise. That’s the great thing about experimentation during the first draft: It might turn out brilliantly, or you might have to throw it away, but regardless it’s a great way to look at your story from a different angle.

 

(Thank you again to Dark Faerie Tales for hosting this guest post!)

Keeping the Story Alive: Writing the Second Novel in the Series

Originally posted on Such a Novel Idea for the Poisoned Blade Blog Tour:

“How do you write a second novel in a series so it keeps alive the excitement of book one AND expands the story in a way that makes readers anxious for book three?”

BASIC ELEMENTS:

** Give the second book its own introductory lead-in so you don’t have to use boring re-cap. Avoid info-dumping the events of the previous book: “On a quiet morning, Kaitlyn sat on her porch and thought about everything that had happened to her last week for three pages of non-action, and then the zombies attacked.” Start with the zombies; parcel out backstory only where and when you need it…

** Even if the second book follows right on the heels of the previous book’s events, pretend it is a brand new book in a brand new series to try to get that fresh feeling. I worked hard to make the opening of Poisoned Blade become a place a new reader could feel comfortable. While the story is a continuation from book one, the first page introduces a new miniature conflict and action that is perfectly understandable by itself when Jes decides to sneak into a place she’s not allowed to enter.

** When you can, use interactions between characters to reveal the information you need to know. That way you both help the reader orient themselves in the plot and setting AND heighten the characterization by deepening your character relationships.

** Character growth, character growth, character growth. Relationships are the fabric of character growth. Book two can and should deepen and complicate your characters.

BUT WHAT KIND OF SERIES ARE YOU WRITING?

There are many different kinds of series these days, and each one puts a different kind of pressure on a second book. Avoiding a sophomore slump with the second novel in a series starts with a close look at what kind of series you are writing. That way you can identify the part your second volume needs to play in the overall series.

Here are four possible scenarios. Remember, there are more than four scenarios; these are just examples to get you thinking about how to approach your own situation.

1) Your first novel was a standalone with a beginning, middle, and end, and your publisher has asked you to write a sequel. In this case, you want to make sure you aren’t just repeating the plot or character arc of the first book.

Open up the world. Change the direction of the character’s journey. Introduce a new conflict that isn’t a version of the original one. Deepen your character relationships or add a new complicating character.

For example (I’m making this up as I’m typing), after a world-altering firestorm our heroine Tania leads a ragtag group of refugees across a blasted wilderness to the safety of a domed city. That’s book one, and can be read as a complete and satisfying story. But book two reveals that the society in the domed city is corrupt and unjust, using refugees as unpaid labor, and so Tania is forced to lead a revolution to grant refugees the same citizenship rights as others.

The benefit to this “follow-up” scenario is that you can write book two as if it is a standalone too. A reader should be able to pick up book two without having read book one, even if knowledge of book one will amplify and intensity a reader’s understanding of the character dynamics.

A trilogy can also function as related but standalone installments, with some recurring characters and a thematic narrative arc that sits like an umbrella over all three books. In this case the second book must relate somehow to the first and also link to the third, while holding its own as a complete story. A good example of this form is N K Jemisin’s Inheritance Trilogy. The second book, The Broken Kingdoms, introduces a protagonist who does not appear in book one, while her love interest was a major player in book one. The events of book two, while self contained, are a natural progression from repercussions of the events in book one and cause ripples that spill through book three without book three being a direct continuation of book two.

2) You’ve written a duology in which the story takes place across two books. In a way this is the easiest second-book scenario because the second book is the latter half of a single story split into two volumes, with the climax and conclusion coming at the end of book two.

3) You’re writing an episodic series, similar to a tv series with a continuing cast of characters and a mystery or mission of the week. Book one introduces the main character, her sidekicks, & the overall situation (think Leverage’s Robin-Hood-like “we right wrongs caused by the powerful abusing the powerless” or “my mental powers allow me to see a potential death and thus try to prevent it” and so on). A mystery or mission is introduced and solved.

Book two therefore carries the weight of building on the readers’ connection to the characters, while offering a new and entertaining episode-length plot.  The challenge with this scenario is to avoid the info-dump introduction (as per “Basic Elements” above ) and to create a new adventure for this installment that is at minimum as exciting as the first one and preferably bigger and bolder. Add a new antagonist. Expand the world. Add a love interest. Plot out your basic outline for how you want the entire series to go. Decide whether your larger series plot direction is to create bigger and bigger stakes OR to create a close intimate study. Both can work.

For example (again, I’m making this up as I’m typing), volume one introduces our heroine, weary security officer Jo-jo who works at rundown backwater Space Station Tau keeping the peace. In book one, there’s a murder in one of the airlocks which she solves with the help of her trusty robot associate while that annoying administrative chief she’s kind of attracted to keeps hounding her about sticking to protocol even though it’s only by going outside protocol that she can solve the mystery. In book two, a battered space ship arrives with news of a terrifying alien invasion in a nearby solar system, but the station’s governing council doesn’t believe the rakish captain who has a history of smuggling and ration-busting activity; then it turns out that maybe an alien spy stowed away on the ship, and it’s up to Jo-jo and the captain to find the spy before that entity can get off the station and return to the invaders with crucial intelligence. At this point maybe you start thinking about whether you want a war to break out on the frontier. If you do, in book three refugees form the fighting can arrivg at Tau, with the search for a missing child providing the central mystery. Then in book four Jo-jo might get drafted into the space navy as an intelligence officer, and maybe the rakish captain and the contraband ship is drafted into service as well and the annoying admin chief is assigned to go along . . . this is how a story world starts opening up into bigger and bigger stakes. For a close, intimate study, you would stick to mysteries and missions ON the space station and neighboring areas (the planet, the asteroid belt) and concentrate on the character development and character journeys rather than a galloping plot.

4) The classic trilogy is a single connected story that takes three books to tell. The biggest mistake writers make in this scenario with second books is by spinning their wheels. A second book should raise the stakes. It should move the plot and character development forward in such a way that, if the reader were to skip book two and go directly to book three, they would not be able to orient themselves in the story because they would have missed major events and character changes.

For example, if in book one our heroine is sent on a quest to find four magical artifacts to defeat the Evil Overlord and manages to discover two by the end of the first volume, book two should not consist of her continuing the quest in the same way and finding the other two at its end. That sort of plot can easily become static with the quest element dragging on longer than it needs to when in fact the most dramatic element is the looming battle against the powerful antagonist.

Without spoilers, I’ll mention three ways in which I accomplished stakes-raising in Poisoned Blade.

1) Jes learns new things about the world she lives in that change the way she looks at the people and conflicts surrounding her. The reader learns them with her.

2) She travels outside the city of Saryenia, which allows the reader (as well as Jes) to get a look at the wider world.

3) Major events alter the trajectory of the plot.

I’m an architectural writer so I like to think of each book in a series as part of a bigger framework. I consider what I want the narrative to accomplish in book two. Where does the book need to take the story so it ends at the perfect launching point for book three?

Remember: There is no right answer for sequels that works for ALL books; there is only AN answer for each specific novel. That’s both the challenge and the beauty of writing a series.

(Thanks again to Such A Novel Idea for originally hosting this as a guest post!)

POISONED BLADE Blog Tour Interviews

Leading up to and following the recent release of POISONED BLADE, the sequel to Court of Fives, Kate Elliott embarked on a YA blog tour of guest posts and interviews to discuss her YA series, her writing process, and more. Here is a full compilation of the Poisoned Blade Blog Tour interviews:

  • YA Interrobang – Maybe, Just Maybe, A Kiss (Interview)
    What can Court of Fives fans look forward to in Poisoned Blade?
    More Fives. An arrogant but charming poet who dreams of rebellion. Travel outside Saryenia on a quest to find her missing sister, in the company of the man she hates most. A lot more about spiders. And of course a person she doesn’t expect to meet in the desert. And maybe, just maybe, a kiss.
  • SFFWorld (Interview)
    In your own words, who is Kate Elliott?
    That’s a hard question to answer! I make up worlds. I write epic stories. I keep working to improve at my craft. I’m stubborn, and my goal is to remain a person who learns and stays curious for my entire life. Few things scare me as much as the idea of no longer wanting to ask questions, see new places and try new things, and meet new people and ways of life.
  • Adventures in YA Publishing – On Listening to the Main Character’s Heart (Interview)
    What did this book teach you about writing or about yourself?That I have to listen to the main character’s heart, even when it is something I don’t want to hear. Often the plot twists and character decisions that make me most uncomfortable are the most gripping and true.
  • Two Chicks on Books – On Poisoned Blade (Interview)
    What kind of research did you have to do for the story? There’s a lot of American Ninja Warrior-like courses, did you marathon the shows for inspiration?
    Yes I was forced to watch a lot of American Ninja Warrior and Sasuke (the original Japanese show). Also training montage clips like this of Stephen Amell in tv show Arrow. Believe me, I have really suffered for my art:

    https://youtu.be/xvxdpv5BKoo


Thank you to all of the host sites and interviewers for their cooperation and participation!

Court of Fives Educator’s Guide – NOW AVAILABLE

co5_educators-guide-previewFor any educators out there considering adding Court of Fives (and/or Poisoned Blade) to their curriculum, Little, Brown Books for Young Readers has now issued an official Educator’s Guide. The guide includes class activities and discussion questions on women’s studies, prejudice and racism, code-switching, and more!

You can download the 4 page Court of Fives Educator’s Guide as a PDF here.

Read more about Court of Fives (and its sequel, Poisoned Blade) at Kate Elliott’s official website, too!